Continuing on from "Simplification" last time, it is also important to note the distinction between "direct" and "roundabout" writing, which lies mainly in the vertical (up and down) downstrokes in the connection between letters of a word, and in the general impression given of a stretched, elastic tension. Writing moves from left to right across the page, and when this movement is 'direct' we see very little leftward movement in the formation of letters. In 'roundabout' script on the other hand, we often see 'spiralling' or anti-clockwise' formations.

Basically, Direct and Continued writing are the results of very much the same guiding image. A very direct writing of necessity comprises a number of straight lines, and hence a degree of angularity. Even a garland connection can be formed with either a direct or slack impression.

Assessment is a matter of estimation rather than measurement and, once again, the same sample may include both direct and roundabout features: in fact it is seldom that the most direct writing does not include a few "roundabout" features, often in the capitals or in the signature.

Interpretation

The guiding image is aiming and the basic meaning is aiming at a goal. Direct writing is therefore the result of continuity of purpose and is one of the most reliable signs of a good memory, especially memory of the catenated type, i.e. deriving from ability to connect thoughts logically, rather than visual memory resulting from strong impression only.

In very direct writing, every movement leads on directly from one objective to the next without any waste of time, space or effort. Derivate meanings include:-

There is no guiding image, since this type of writing is indicative of the lack of one, and derives from the desire to move, irrespective of any set aim or direction. Consequently, there is a waste of time and writing effort involved. The source meaning is aimlessness or uncertainty of purpose . It may also indicate an underlying conviction that the aim is not everything, and that the method, manner and smoothness of action in reaching it are sometimes equally important. It can also be an indication of lack of commitment or irresponsibility with the writer choosing some unnecessary project to involve himself in rather than getting on with what is most necessary or pressing. Hence the 'roundabout' movements (together with confirming indicators) can indicate a lack of 'priorities' or 'initiative'; the person who goes around the object, but never quite settles on it - until urgency arises. Such people therefore are often found to work best under pressure, and only when following instructions from others.

Derived meanings include:-